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Jed Clampett's unlucky cousins
By David Minton

Hillbilly stereotypes and Kentucky culture

"My paintings tell stories. They are the stories of people who feel disconnected and powerless. They are stories I have heard at work, or in the newspaper, on TV., or from friends. You have heard these stories too. I try to repeat them as directly and honestly as I can. It somehow seems important to do this." -- Bruce Burris

Bruce Burris is a Delaware native who moved to Lexington about five years ago. His "Kentuckycycle" -- an ever-changing art installation also known as "DIDWEDOTHISTOOYEW" -- deals with issues of cultural identity. In particular, Burris zeroes in on the cultural identity associated with Kentucky's Appalachian region -- the eastern section of the state through which the Appalachian mountain range runs.

"Kentuckycycle" is a barrage of images and words: drunken mountain men holding fishing poles and playing fiddles, fat hags with rags wrapped around their heads smoking corncob pipes and holding shotguns, and big-breasted Daisy Mae types posing and posturing.

The show is heavy on irony. The twist is that Burris doesn't just go after the sick minds that produce these "emblems of Appalachian culture," as he says, he also points a finger at the people who find humor in such depictions.

"Kentuckycycle" is a blatant parody that raises questions such as why Appalachians are pictured as different from the rest of Kentucky's People and why Appalachia is thought of as a world apart from the one in which the rest of us live.

Appalachian people are generally considered disadvantaged, isolated and somehow stuck in another era. Burris says that this conception --Appalachians being like Jed Clampett's unlucky cousins -- underlies marketing ploys, research, journalism, scholarly study and proposed solutions to social, economic and political problems.

His work presents the stereotype, in all of its crude glory, with all of its ramifications, as an impetus to make you, the viewer, ask questions based on your reactions to the work. Are you repulsed by the stereotyping or do you find it humorous. Does it make you feel superior, ashamed, or unmoved? Do you find it curious or take it seriously as a detrimental thing? If you are from Appalachia, do you identify with the character types shown? If you are not from Appalachia, do you believe a population like the one depicted in this exhibition really exists or ever did exist?

David Minton is the Kentucky corresponding editor for "dialogue." The complete article appears in "dialogue" Sept/Oct 1997.

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